Phrases such as "Like Lord of the Flies", "Apocalypse Now on shrooms", "In the place of warfare are bizarre rituals, horny hook-ups and campfire raves", and "a tense, off-kilter deep dive into corrupted innocence that never quite goes where you think it will" lowered my expectation of Monos.
Monos has the most diverse set of actors I have seen in a long time. Which is handy in an ensemble film, where 8 to 10 characters are sharing the spotlight and dialogue is sometimes sparse. Eight child soldiers are left on a bare mountain top to guard an American hostage by their roving commander (who is shorter than some of his young soldiers). The teens belong to a rebel group whose ideology and aims are never explained. The views from this vantage point above the clouds are spectacular. But there is not a lot of soldiering to do, so plenty of time bored teenage mischief. But in the second half of the film, things change gear. The soldiers and their hostage move down into the rain forest. We only get vistas from drone footage, the characters inhabit a much more damp and claustrophobic world where you can rarely see more than 2 or 3 metres in any direction. Group dynamics change when their prisoner makes a break for freedom. Loyalties are challenged and the body count mounts.
We are tempted to take sides but is anyone on the side of the angels? Director Alejandro Landes keeps us guessing and keeps reminding us that these are both kids and killers. While not a great film it was better than I expected when I found my seat. Visually interesting, thrilling, twisted and morally ambiguous.
🎥
Ian's rating 3/5
Sunday, August 04, 2019
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